![]() Some, like Warsaw and Dresden, were almost completely destroyed, and became symbols both of wartime barbarism and of the recuperative power of their respective nations. World War II radically altered the image of many European cities. The muteness of war-time trauma: A nonverbal perspective on the relationship between trauma and soundscape (Dorian Lange) ![]() The soundtrack for the art installation ‘Glitter’: An attempt to reconstruct the soundscape of a post-war cinema in Wrocław within the context of experimental electronic music (Daniel Brożek) Broadcasting from the past (Dorota Błaszczak) Waves of Remembrance: Wrocław in Radio Sounds. The 1945 soundscape of Wrocław in the accounts of its post-war inhabitants (Renata Tańczuk)Ĭalls for help and the sounds of pot-banging in the soundscape of ruined Wrocław in 1945 (Sławomir Wieczorek) The soundscape of public space in Breslau during the period of National Socialism (Karolina Jara)įrom “love in the bright moonlight” to “the corner of dreams”: A snapshot of the soundscape of Wrocław in 1945 (Andrzej Dębski) The voices of a liberated/occupied city: The Lviv soundscape of 1944–1946 in Ryszard Gansiniec’s journal (Zoriana Rybchynska) The voice of Polish Radio in the soundscape of Warsaw in 1945 (Kamila Staśko-Mazur) In search of lost sounds: Miron Białoszewski’s “Stare życie” and post-war silence (Jadwiga Zimpel) The sounds of Warsaw in 1945: Witness accounts (Katarzyna Naliwajek-Mazurek) ![]() Roaring war and silent peace? Initial reflections on the soundscape in the Ruhr between area bombing and reconstruction (Uta C. Barking and blaring: City sounds in wartime (Annelies Jacobs).
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